Final Cut in Venice: The 7 selected work-in-progress films

FINAL CUT IN VENICE 2024
THE 7 SELECTED WORK-IN-PROGRESS FILMS








La Biennale di Venezia is pleased to announce that the seven work-in-progress films of the 12th edition of Final Cut in Venice have been selected.
Final Cut in Venice is the industry program that has been providing since 2013 concrete support in the completion of films from all African countries and from five countries of the Middle East: Iraq, Jordan, Lebanon, Palestine, and Syria. Final Cut in Venice is one of the projects launched by the Venice Production Bridge of the 81. Venice International Film Festival (August 28- September 7, 2024), directed by Alberto Barbera and organised by La Biennale di Venezia.
The program offers the opportunity to present films still in production phase to international film professionals, in order to facilitate post-production and film market access.

The program consists in three days of activities (September 1 to 3 2024) on the Venice Lido during the Venice Production Bridge and 81st Venice International Film Festival, in which the working copies of the 7 selected films are introduced to producers, buyers, distributors, post-production companies and film festival programmers. The first 2 days of the program (September 1 and 2) are devoted to the screenings, while a special one-to-one meeting session between the 7 selected projects and the registered decision makers and professionals will be organised on the third day, September 3. In the framework of the VPB Focus 2024 on Wallonia-Brussels, one film has been selected. SELECTION: The 7 work-in-progress films selected are:   FICTION Aisha Can’t Fly Away (Aisha la tastaea al tayran) by Morad Mostafa (Egypt, Tunisia, Saudi Arabia, Qatar, France) In This Darkness I See You by Nadim Tabet (Lebanon, France, Qatar, Saudi Arabia) My Father’s Scent by Mohamed Siam (Egypt, Norway, Saudi Arabia, Qatar, France) The Prophet (O Profeta) by Ique Langa (Mozambique, South Africa)   DOCUFICTION Ancestral Visions of the Future by Lemohang Jeremiah Mosese (France, Germany, Lesotho) Your Daughter by Sara Shazli (Egypt)   DOCUMENTARY Those Who Watch Over (Ceux qui veillent) by Karima Saidi (Belgium, France, Qatar) - Focus on Wallonia – Brussels. The program will conclude with the awarding of prizes, in kind or in cash, for the financial support of the films in their post-production phase. For the eighth year, La Biennale di Venezia will give a prize of € 5.000 for the best film in post-production. The La Biennale di Venezia Prize will be attributed by a jury composed of three members named by the Festival Director, while the other prizes will be awarded by final and irrevocable decision of the Festival Director and the Final Cut in Venice's supporters. The prizes are:  - € 15.000 for the colour correction of a feature-length film offered by Laser Film (Rome) for up to 50 hours of work (technician included);  - € 15.000 offered by Studio A Fabrica (Ajaccio) for the sound mixing of a feature length film (up to 12 days of work, sound mixer not included);  - one of the selected projects will benefit from the film composers represented by Oticons and the original score that they will create. The production of the original score will include all relevant services, such as spotting sessions / composition / orchestration / mock-ups / final production, of a total value of € 12.000;  - for a feature-length fiction film a $ 10.000 MG or for a feature-length documentary a $ 3.000 MG for marketing, publicity and distribution in the Arab World offered by MAD Solutions for one Arab project (except for projects already funded by MAD Solutions);  - Titra Film (Paris) will offer up to € 5.000 for colour-grading; up to € 3.000 for the production of a DCP master, or the creation of i-Tunes, Google or Netflix files; up to € 2.000 for French or English subtitles (translation not included);  - up to € 10.000 for the sound mixing of a feature length film (up to 7 days of work, auditorium and technician included) offered by 196-MEDIA (Rome);  - up to € 10.000 for digital visual effects “2D Comp” ​ offered by M74 srl (Rome)  - Mnemonica will offer a 12-month supply of its Production platform worth €10.000;  - up to € 7.500 for the creation of the DCP master with Italian or English subtitles, offered by Sub-Ti Ltd.(London);  - up to € 7.500 for the accessible contents of the film for audiences with sensory disabilities: subtitles for the deaf and hearing-impaired and audio description for the blind and visually impaired, including audio subtitles in voiceover, in Italian or English (the subtitles and the audio-described soundtrack for the DCP will be provided) offered by Sub-Ti Access Srl (Turin).  - € 5.000 offered by Red Sea Fund (Red Sea International Film Festival);  - € 5.000 for the purchase of two-year broadcasting rights by Rai Cinema;  - $ 5.000 awarded to an Arab project offered by the El Gouna Film Festival;  - € 5.000 offered by Organisation Internationale de la Francophonie (OIF)/ACP/EU as a refund for post-production services – delivered by societies based in one of the EU or OACPS countries (except South Africa) – of a feature-length film realised by a director from one of the ACP countries and produced or co-produced by a society based in one of the ACP countries;  -“Coup de cœur de la Cinémathèque Afrique” Prize, offered by Cinémathèque Afrique of the Institut Français (Paris). The prize consists in the acquisition of the non-commercial and non-exclusive broadcasting rights for 7 years for a value of € 4.000 – € 6.000 depending on the genre and length of the film and the number of available territories;  - participation in the production costs of a DCP (€ 2.500), offered by the Festival International du Film d’Amiens;  - participation in the production costs of a DCP (€ 2.500), offered by the Festival International de Films de Fribourg For the third year in a row, the FCV program will benefit of the additional support of the Red Sea International Film Festival within our supporters.